Category: announcement

read an excerpt from Mike Ananny’s new book, Networked Press Freedom

In my new book Networked Press Freedom: Creating Infrastructures for a Public Right to Hear [MIT Press | Amazon] I critically examine what press freedom means today.  I argue that, as news production, circulation, and interpretation are increasingly distributed across a new and unstable set of humans and nonhumans—from journalists and algorithms to platform designers […]

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Custodians

I’m thrilled to say that my new book, Custodians of the Internet, is now available for purchase from Yale University Press, and your favorite book retailer. Those of you who know me know that I’ve been working on this book for a long time, and have cared about the issues it addresses for a while […]

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How Public Should You Be?

The following is an excerpt from my new book, Down and Out in the New Economy: How People Find (or Don’t Find) Work Today. In most workshops on how to use LinkedIn, some new adopter would ask: how public must my profile be?  This question is about participant structure–who is the audience of a given profile?  […]

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CFP: New Media & Society special issue — “Truth, facts, and fake: The shifting epistemologies of news in a digital age”

I’m pleased to announce the following call for papers for a special issue of New Media & Society, as well as a related online workshop. Submission information is at the bottom of the call, and inquiries may be directed to ekstrom.lewis.westlund@gmail.com. Truth, facts, and fake: The shifting epistemologies of news in a digital age Co-editors: Mats […]

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Book Announcement: (Not) Getting Paid to Do What You Love: Gender, Social Media, and Aspirational Work

Fashion bloggers and Instagrammers seem to enjoy a coveted lifestyle–one replete with international jet-setting, designer-comped fetes, and countless other caption-worthy moments. Yet the attention lavished on these so-called “influencers” draws attention away from a much larger class of social media content creators: those aspiring to “make it” amid a precarious, hyper-competitive creative economy. I tell […]

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