I just came across a notice for two new books, both of which seemed relevant to the ideas that get discussed on this blog. Thought I would pass them along.
Olga Goriunova
http://www.routledge.com/books/details/9780415893107/
Routledge Research in Cultural and Media Studies
In this book, Goriunova offers a critical analysis of the processes that produce digital culture. Digital cultures thrive on creativity, developing new forces of organization to overcome repetition and reach brilliance. In order to understand the processes that produce culture, the author introduces the concept of the art platform, a specific configuration of creative passions, codes, events, individuals and works that are propelled by cultural currents and maintained through digitally native means. Art platforms can occur in numerous contexts bringing about genuinely new cultural production, that, given enough force, come together to sustain an open mechanism while negotiating social, technical and political modes of power.
Software art, digital forms of literature, 8-bit music, 3D art forms, pro-surfers, and networks of geeks are test beds for enquiry into what brings and holds art platforms together. Goriunova provides a new means of understanding the development of cultural forms on the Internet, placing the phenomenon of participatory and social networks in a conceptual and historical perspective, and offering powerful tools for researching cultural phenomena overlooked by other approaches.
Olga Goriunova is Senior Lecturer in Media Practices at London Metropolitan University, curator of the recent show Funware (Arnolfini, Mu, Baltan) and an editor of Computational Culture.
Wirelessness, Radical Empiricism in Network Cultures
Adrian Mackenzie
http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=12285
The MIT Press
How has wirelessness—being connected to objects and infrastructures without knowing exactly how or where—become a key form of contemporary experience? Stretching across routers, smart phones, netbooks, cities, towers, Guangzhou workshops, service agreements, toys, and states, wireless technologies have brought with them sensations of change, proximity, movement, and divergence. In Wirelessness, Adrian Mackenzie draws on philosophical techniques from a century ago to make sense of this most contemporary postnetwork condition. The radical empiricism associated with the pragmatist philosopher William James, Mackenzie argues, offers fresh ways for matching the disordered flow of wireless networks, meshes, patches, and connections with felt sensations.
For Mackenzie, entanglements with things, gadgets, infrastructures, and services—tendencies, fleeting nuances, and peripheral shades of often barely registered feeling that cannot be easily codified, symbolized, or quantified—mark the experience of wirelessness, and this links directly to James’s expanded conception of experience. “Wirelessness” designates a tendency to make network connections in different times and places using these devices and services. Equally, it embodies a sensibility attuned to the proliferation of devices and services that carry information through radio signals. Above all, it means heightened awareness of ongoing change and movement associated with networks, infrastructures, location, and information.
The experience of wirelessness spans several strands of media-technological change, and Mackenzie moves from wireless cities through signals, devices, networks, maps, and products, to the global belief in the expansion of wireless worlds.
Adrian Mackenzie is Reader and Codirector at the Centre for Science Studies at Lancaster University, U.K, author of Cutting Code, software and society and Transductions, bodies and machines at speed and an editor of Computational Culture.