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The specter of uncertainty

What do Facebook’s less than stellar IPO and Bankia’s downgrade by S&P have in common?  If you’re uncertain, you’re right. Facebook’s IPO was marred by uncertainty.  In the days leading up to its public offering, the talk surrounding Facebook was quite optimistic.  Yet, somehow uncertainty crept in.  My guess is that it had something to do […]

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Why the Facebook IPO Matters

Today the worlds of technology and finance collide yet again in the first day of public trading of Facebook stock. Facebook is not the first online social networking site (Remember Myspace? Or for that matter TheSquare?). Nor is it the first overhyped IPO. What Facebook does teach us, though, is that even in a weakened […]

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Announcement: Two journal articles from Seth Lewis on the discursive work of journalism and participatory media

Seth Lewis has just published two new articles of interest to Culture Digitally readers. The first, still in iFirst online form, appears in Information, Communication & Society, in a coming special issue on tensions in digital media work. The article is titled The Tension Between Professional Control and Open Participation: Journalism and its Boundaries. (If you can’t access […]

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Announcement: Affective News and Networked Publics: The Rhythms of News Storytelling on #Egypt

Zizi Papacharissi just published a new article in the Journal of Communication.  Her article, authored with Maria de Fatima Oliveira, is titled Affective News and Networked Publics: The Rhythms of News Storytelling on #Egypt.  (Click on title for a link to the paper.)  The article examined Twitter use during the Arab Spring uprisings between Jan. 2011 and Feb. […]

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The 2008 Obama Campaign and Online Advertising

There have been a number of recent pieces looking at online political advertising during the 2012 campaign.  I have written a bit about both the innovations in merging voter files with online usage data and its democratic implications, as well as the limitations of big data, but I wanted to go back here to the […]

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